An extract of the March 2026 issue of the Brussels Decoder, Culture Action Europe’s monthly members-only publication, providing an overview of the state of play for cultural funding at present in negotiations for the next long-term EU budget.
This is the final of three online meetings of the Action group on Working Conditions to consult members, share views and expertise, and co-create a position paper to feed into the upcoming EU Artists’ Charter, including on its principles, governance and implementability.
This is the second of three online meetings of the Action group on Working Conditions to consult members, share views and expertise, and co-create a position paper to feed into the upcoming EU Artists’ Charter, including on its principles, governance and implementability.
This is the first of three online meetings of the Action group on Working Conditions to consult members, share views and expertise, and co-create a position paper to feed into the upcoming EU Artists’ Charter, including on its principles, governance and implementability.
The Digital and AI action group will reconvene to review our initial draft recommendations for the upcoming AI Strategy for the CCS to refine its content and ensure no critical perspectives are missing before submission. The strategy is in the initial drafting stages, and the European Commission is seeking civil society input. If you are a CAE or MCA member, join to share your views!
Perform Europe have released two publications exploring the experiences of 42 projects that experimented with new approaches to cross-border touring, including one publication with concrete policy levers on what can be learnt from their experiences.
Read a summary of Culture Action Europe’s contribution to the European Parliament’s stakeholder consultation on the AgoraEU proposal (Creative Europe – Culture strand) that took place on Wednesday 4 March 2026.
This lunchtime session, hosted by Reset! network and Live DMA, presents findings and policy reflections following a mapping exercise on who owns what in the live music sector.