Creative Europe Networks and BIPoC Representation
The European cultural landscape is often described as rich, diverse, and dynamic. Yet, this new publication reveals that this self-perception doesn’t always match reality—especially when it comes to the inclusion and representation of BIPoC (Black, Indigenous, and People of Colour) communities.
To address this gap, Reset supported the launch of Miriam Amina Fofana‘s study titled “Creative Europe Networks and BIPoC Representation: Bridging Gaps and Breaking Barriers”. This in-depth report explores how the Creative Europe networks can play a transformative role in creating more inclusive cultural spaces across the continent.
While the cultural sector often champions diversity, this study lays bare a striking reality: BIPoC voices remain largely absent, both on stage and behind the scenes. The disparity between the sector’s inclusive intentions and its current practices points to a structural issue.
The main report is grounded in research conducted with Creative Europe networks, independent cultural actors, and representatives from EU institutions. It examines the systemic barriers that hinder BIPoC participation and outlines actionable strategies for change.
For cultural professionals seeking a more accessible entry point, a companion guide titled “BIPoC Representation in Cultural Spaces: A Guide to Action” is also available. This shorter resource dives into the historical roots of underrepresentation in European culture, breaks down key concepts like diversity and representation, and offers practical advice on how to create more inclusive environments.