Knowledge



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ENCATC will host the 2022 Congress in the theme of internationalization. The policy debate will explore the urgent issue of sustainability and environmental awareness in the cultural sector.


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A new study published by the European Union maps theaters’ socioeconomic impact across Europe for the first time.


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FRESH Seminars’ Collection Edition 2017-2021 has been released by Circostrada as a way to pay tribute to the four year project focusing on circus and street art issues.


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OECD publishes report on cultural and creative sectors being a significant economic driver with great added value for growth.


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Brussels hosted the New European Bauhaus (NEB) Festival between 9th and 12th June. Culture Action Europe’s Policy Director Gabriele Rosana took part in a panel discussion on the question “What is the role of Arts & Culture in the NEB initiative?”


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EFA Festival Network shares its report on the survey on the war in Ukraine which includes opinions, actions and initiatives shared by festivals.


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Today, we are pleased to share a synthesis of WHO’s report, “Arts and Health: Supporting Well Being of Forcibly Displaced People,” created in collaboration with our partners. This synthesis is a response to CAE’s project #CultureForHealth, a cross-European collaborative project co-funded by the European Commission, involving Culture Action Europe, Trans Europe Halles, Central Denmark Region, the Northern Dimension Partnership on…


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A series of new priorities are proposed by the E.U. Commission based on an assessment of the current cultural policy cooperation


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La REACC prepared the first diagnosis of the Community Culture in Spain examining the multifaceted ways it can be analyzed and advanced.


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Voices of Culture announced the publication of a Brainstorming Report on the topic “International Cultural Relations”.


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The Council of Europe awarded the certification to 3 new “Cultural Routes of the Council of Europe” on the occasion of its 2022 meeting.


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In 10 publications the DISCE researchers present key facts about each location, with a particular attention to how the ‘creative economy’ has previously been understood, based on a review of existing academic literature, publicly available data, and policy documents.